Color blend necklace

A couple years ago, I bought Beaded Colorways by Beverly Ash Gilbert. What beautiful projects she makes! And what a challenge to my sense of order her freeform stitching methods are! Her method has three parts. First, she blends colors and sizes and shapes of beads into glorious mixes. Second, she uses freeform peyote stitch or freeform netting to create jewelry that flows in organic fashion. Third, in some projects she flows from one color mix into another through as many as pleases her. I would gulp when I poured my beads together and mixed them. Then, I'd quiver all through the process of putting the beads together in chaotic forms. 

It's good to push my edges sometimes. Her projects definitely did. I completed a bracelet and have another that remains a UFO -- UnFinished Project. 

A few weeks ago, it hit me that instead of stitching together the bead mixes, I could string multiple strands. Then I could have the beauty of the color flows without pushing against my sense of order to complete them! I had a collection of black beads that I wanted to use. Some of them had iridescent finishes with a blue edge. I had a white mix I'd made for the UFO -- and it had gleams of blue as well. So, after a couple other thought experiments, I decided to flow the colors from black to dark blue to light blue to white and back again on a necklace. I made the black and the two blue mixes. Then I made intercalary mixes to go between black and dark blue, between dark blue and light blue, and between light blue and white. She has many useful instructions on making these mixes in the book. 

And I strung them. And gathered eleven strands into cones and finished with a toggle clasp. Here is the result: 

It is collar-length. I thought at first it would look good longer, and so I have extensions available. Sitting at the collar bone really seems to suit it, creating a lush circle at the base of the throat. 

I have more of the color blends remaining. I plan to try a couple earring patterns and perhaps a bracelet. 

And here's something worth noticing -- this necklace would not have happened if I hadn't started a jewelry sketchbook. The sketchbook gave me a place to write down the first idea, and then to play with it until I had a version that excited me enough to make. Now that I have a jewelry sketchbook, I am a jewelry designer!

What I Want in a Mastermind Group

Yesterday, I wrote that I had a great mastermind group in Las Cruces. The next question is, if I wanted to make another great mastermind group, what would I want in it? Of course, my answers are highly influenced by how good the last one was!

The first point is that showing up is important. Of course we couldn't always make it. But if we knew we'd be away in advance, we let each other know, and if something came up, we tried to call. Overall, while we might have two or three people meeting instead of four, we missed only one or two weeks a year. So I would want mastermind members who would regularly come to meetings.

The weekly schedule felt just right. It was often enough to keep us on track, and not such a large part of my calendar that it became too much. I would like weekly meetings.

Four members also felt good. Occasionally, one of us would bring a friend, and five felt fine, too. I've found groups of six good for some dinners and gaming. So four to six members sounds right. I like the closeness of a small group, and I also like having enough members so that weeks when there was no one to meet with were rare.

Supportiveness is essential! We appreciated each other, and thought well of each other. The mood of the group was never harsh or judgmental. While we did offer each other suggestions, that was secondary to simply witnessing for each other. And the attitude was always "I see something that might help you" rather than "you are wrong and I will fix you." Any suggestions came in the epitome of kind and constructive criticism.

The structure of bringing a list of intentions for the following week, and reporting on how we did on the previous week worked well. It was both flexible and accountable enough.

A weekday afternoon meeting time was great. We typically met just after work at a coffee house. I don't yet know what would be a good location in Midland! Monday was a good day to meet. It set up the week nicely. These are both flexible. When scheduling was particularly tight, we sometimes met for breakfast, and we moved the day as needed, staying on the same schedule for at least a quarter. Meetings typically lasted one hour and fifteen minutes. Since I work freelance and have a flexible schedule, I generally adapted to the needs of the other members. However, a start time later than 6 pm wouldn't work well for me. I like to be home in the evenings.

A certain compatibility is important. We were all women, all mature, all interested in art and learning and healing, all pursuing our work in the world, all of good intention. I do not know if gender or age will be important for another great mastermind. I am certain that if the fit isn't good, it won't be as supportive and appealing, which will make it less likely to thrive. We added members one by one and very carefully to the last group. I want the same trust and harmony in my next group. It might also work to try members quickly, and then keep the ones who fit.

So what I want is a long-term group of allies, whom I enjoy spending time with, to meet on a weekly basis. Now I'm intrigued to see if I can gather such a group in Midland!

Mastermind

When I lived in Las Cruces, I met weekly with three other women. We followed loose mastermind guidelines to help each other meet our goals. Each week, we reported our progress for the previous week and set our intentions for the coming week. That sounds simple -- what made it great is that all of us were seekers, looking to live better and contribute more to the world. And they met me each week with kindness and creativity. Amy, Genevieve, and Chris, you greatly improved my life!

Now we have moved. I live in Midland, Texas, Chris is often on the road, Amy splits her time between Las Cruces and another home in Colorado, and Genevieve went to Albuquerque. We have a Facebook group. It is not the same as seeing each other in person every week. No meals together! No hugs or smiles, and all the bandwidth of being with someone in person -- the expressions, the sound of breathing, the body language, and the aura, for lack of a better word -- is gone.

So, I have been making an effort to post my weekly progress and priorities to our Facebook group. Now that the practice is so much sparer, I found myself thinking today about what I really get from writing out goals and seeing if I meet them.

The support and accountability and connection were wonderful! What remains is a much lighter connection. And this, which turns out to matter a lot to me: I make visible to myself what I intended and how it compares to what I did.

I don't harsh on myself about it. That would make the whole process unfun. I notice, I wonder, I accept, I try again. And that is incredibly valuable.

Freedom from, freedom to

Hello, world!

Today I listened to a webinar from Amy Pearson. Her signature topic is escaping the trap of seeking approval. I felt spacious after hearing her.

One section of her talk that really resonated with me was about daring to let people disapprove of you. I have been unlikely to sing where people can hear me, just because so many people have disliked my singing in the past. That is likely to be a symptom of many other places where I restrain myself from acting for fear of bothering others.

I like the idea that freedom comes in two forms: freedom from and freedom to. I've wanted freedom from judgment before singing -- yet the other facet, freedom to sing, might be a better way to think about this. Short of actual physical coercion, all I need for freedom to sing is to be willing to bear other people possibly disliking my singing.

That little switch in my thinking feels a lot freer already.